Yet the inversely ebullient pans of the apartment, the lack of conflict and Paul’s ostentation build up the chasm, and accelerates Charles’ implosion further. The proof is here. Coordinates: 51°30′51″N 0°07′52″W / 51.5141°N 0.1311°W / 51.5141; -0.1311, ‘The best Greek food in London’ and ‘very reasonable’, according to the club’s membership card, 1971–1972, "Soho is losing its soul, says club founder forced out by developers", https://en.wikipedia.org/w/index.php?title=Les_Cousins_(music_club)&oldid=932030795, Articles with unsourced statements from May 2014, Creative Commons Attribution-ShareAlike License, This page was last edited on 22 December 2019, at 23:58. Get info about new releases, essays and interviews on the Current, Top 10 lists, and sales. Synopsis. Film Review. This dagger-sharp drama won the Golden Bear at the Berlin Film Festival and was an important early entry in the French New Wave. Upstairs was the Dionysus restaurant  owned by a family called Matheou, whose son, Andy Matheou ran the basement club. Les cousins’ cinematography, reminiscent of Decaë’s work on Melville’s Bob le flambeur (1956) in its handheld style, minimal lighting and real locations, would become characteristic of the burgeoning movement. Through these seeming opposites, Chabrol conjures a darkly comic character study that questions notions of good and evil, love and jealousy, and success in the modern world. As such, it was influential in the careers of, for example, Jackson C. Frank, Al Stewart, Marc Brierley, Davey Graham, Bert Jansch, John Renbourn, Sandy Denny, John Martyn, Alexis Korner, The Strawbs, Roy Harper, The Young Tradition and Paul Simon. The club was noted for its all-night sessions and was favoured by the innovative musicians who were less welcome in more purist traditional folk clubs. The tide had turned. 109. In Les cousins…  However, the name was usually pronounced with English pronunciation, rather than French. Hedonistic enfant terrible Paul, on the other hand, is amorous, doesn’t study, washes his hands of his own abortion, has a large group around him, passes his exams and plucks Florence from Charles effortlessly. It was most prominent during the British folk music revival of the mid-1960s and was known as a venue where musicians of the era met and learnt from each other. aka: The Cousins. In 1970 a compilation LP 49 Greek Street was released, featuring artists associated with the club such as Synanthesia, Keith Christmas, Andy Roberts, Robin Scott, Tin Angel, Al Jones, Mike Hart and Nadia Cattouse, although most of the tracks were studio recordings. Anthony Frajman is a film critic, reviewer, cinephile and filmmaker based in Melbourne, Australia. He studies.  In similar vein, Ian Anderson (editor of fRoots) said: "the music got so exciting, 'cause everybody listened to everybody else. , As of 2007 a club in Oxford, at the Holywell Music Room, calls itself "Les Cousins". Les cousins (1959 France 112 mins) Prod Co: Ajym Films, Société Française du Cinéma pour la Jeunesse Prod: Claude Chabrol, Roland Nonin Dir: Claude Chabrol Scr: Paul Gégauff, Claude Chabrol Phot: Henri Decaë Ed: Jacques Gaillard Prod Des: Bernard Evein, Jacques Saulnier … Shot by Henri Decaë, who also served as director of photography for Le beau serge, Les cousins’ camerawork provides a key link to the emerging movement. Origins. The sexual jealousy in Paul and Charles’ fatal triangle with Florence mirrors the envy and revenge fuelling the triangle between devious Ronald (Brialy), unassuming Arthur (Charles Belmont) and their shared romantic interest Ambroisine (Le beau serge’s Bernadette Lafont) in his Les godelureaux (Wise Guys, Chabrol 1961); while Chabrol would again return to similar ideas of murder and carnal desire in L’oeil du malin (The Third Lover, 1962), casting Stéphane Audran as a conflicted, bored housewife caught between a young, infatuated journalist, Albin (Jacques Charrier), and her husband, Andreas (Walther Reyer). Find trailers, reviews, synopsis, awards and cast information for Les Cousins (1959) - Claude Chabrol on AllMovie - This was the first of several films that would…  Long sought after by collectors, the album was reissued on CD in Japan (JASKCD193) in 2007. The blues singer and former Larry Parnes Rocker Duffy Power was also a regular performer. Other groundbreaking works such as Alain Resnais’ Hiroshima mon amour, Robert Bresson’s Pickpocket and Georges Franju’s La tête contre les murs (Head Against the Wall) would open the same year as Les cousins. Already, in this second feature, the signs of what was to follow from Chabrol and the French New Wave were evident: the film won the Golden Bear at the 9th Berlin International Film Festival and, directly and indirectly, helped usher in a tide of new cinema. Chabrol’s film also shares that film’s cynical tone, established from its opening titles, rolling over a neon-lit district in Paris. The Cousins is a film directed by Claude Chabrol with Gérard Blain, Jean-Claude Brialy, Juliette Mayniel, Guy Decomble .... Year: 1959. Ironically, according to Emma Matheou whose father ran the club, the door depicted on the cover is from another address in Greek Street. Andrew Loog Oldham was the manager of the Rolling Stones and Marianne Faithfull from 1963–1967. Les cousins / The Cousins (Claude Chabrol, 1959) 8/10. Les Cousins was a folk and blues club in the basement of a restaurant in Greek Street, in the Soho district of London, England. Synopsis. Not only was he instrumental in assisting his Cahiers du Cinéma colleagues’ early productions, and his own Le beau serge (1958) the first full-length film by the magazine’s “Young Turks”1 to be released, but his follow-up work, Les cousins (1959), was also the movement’s second feature, premiering only a couple of months before Les quatre cents coups (The 400 Blows, François Truffaut, 1959) and a full year before À bout de soufflé (Breathless, Jean-Luc Godard, 1960).  Other residents included Alexis Korner and Roy Harper. Click here to make a donation. It is here that Charles, the film and its director find their true nature – not in the “threadbare and lacklustre” conventions that Chabrol and his generation had vehemently critiqued,5 but in a deliberate, subversive, cynically subterranean character study that slowly reveals its intentions, its morality, its bitter, final irony, in the tradition of Jean Renoir’s La règle du jeu (The Rules of the Game, 1939). However, far from being in thrall to the Master of Suspense, Chabrol discovered his voice through the self-consciousness and subversion of convention and genre that were key to the Nouvelle Vague. His film reviews and articles have appeared in FilmInk and Pure Shit : Australian Cinema. Notable performers included Alexis Korner, Ralph McTell, Sandy Denny, Bert Jansch, Alex Campbell, Wizz Jones, Paul Simon, Joni Mitchell, Marc Brierley, Nick Drake, Al Stewart, Long John Baldry, The Incredible String Band, John Martyn, Cat Stevens, Jackson C. Frank, Martin Carthy, Linda Thompson, Julie Felix, Bridget St John, Donovan, Bob Dylan, The Watersons, Arlo Guthrie, Stephane Grappelli & Diz Disley, Davey Graham, Spider John Koerner, Anne Briggs, Stefan Grossman, Champion Jack Dupree, and Tom Rush, Dave and Toni Arthur, The Sallyangie (a duo consisting of siblings Mike and Sally Oldfield) among others. But they are not merely swapping roles; rather, Paul and Charles are a representation of one of Alfred Hitchcock’s key themes, the ‘double’ motif, in that they’re complete, polar opposites. For his sophomore effort, he once again used … In Les cousins, Claude Chabrol crafts a sly moral fable about a provincial boy who comes to live with his sophisticated bohemian cousin in Paris. Alexandre Astruc portended Chabrol and his generation’s attitude to filmmaking as one of the “camera-stylo” – or “camera-pen” – representing “a form in which and by which an artist can express his thoughts, however abstract they may be, or translate his obsessions exactly as he does in the contemporary essay or novel.”6 In Les cousins, it is an approach one could see beginning in Chabrol’s work – it’s the film in which Chabrol slowly learnt his obsessions. Like Le beau serge, Les cousins also stars Jean-Claude Brialy and Gérard Blain; but where, in the earlier film, Brialy played a meek city slicker and Blain an alcoholic ruffian, here, Brialy is Paul, a playboy par excellence visited by reserved country boy Charles (Blain). He shares his cousin Paul's flat. Chabrol had already co-written a book with colleague Éric Rohmer on Hitchcock in 1957, and his later fondness for Hitchcockian themes in his own work is already apparent in Les cousins. Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres. But the compositions become more claustrophobic; the gatherings, louder, smokier, more hellacious. Rather I want to engage in drawing out certain elements that are less obvious, but even more interesting.”2. Les Cousins (1959) Directed by Claude Chabrol. Les cousins: The Nature of the Beast Jean-Luc Godard, lover of paradox, once characterized Claude Chabrol’s Les cousins (1959) as “a deeply hollow and therefore profound film,” a pronouncement, like so many of the pithy mots Godard used to reel off in the pages of Cahiers du cin… Les Cousins was described by Roy Harper as "a spawning ground" for musical talent. A mirror image of Le beau Serge, Chabrol’s debut, Les cousins recasts that film’s stars, Jean-Claude Brialy and Gérard Blain, in startlingly reversed roles. Far from a conventional thriller, Les cousins slowly rises and charges on the underlying contrast between the grotesque Paul and the angelic Charles, the film seeking out “the most disturbing undertones in apparently ordinary, nothing-much-happening scenes,” as film scholar Terrence Rafferty has noted.3 Charles lets Paul take Florence. Decaë, a favourite of New Wave progenitor Jean-Pierre Melville, shot films for many directors of the era, including Louis Malle (Ascenseur pour l’échafaud [Elevator to the Gallows, 1958] and Les amants [The Lovers, 1958]), (Les Amants), Roger Vadim (La ronde ) and Truffaut (The 400 Blows). Prod Co: Ajym Films, Société Française du Cinéma pour la Jeunesse Prod: Claude Chabrol, Roland Nonin Dir: Claude Chabrol Scr: Paul Gégauff, Claude Chabrol Phot: Henri Decaë Ed: Jacques Gaillard Prod Des: Bernard Evein, Jacques Saulnier Ass Dir: Philippe de Broca Mus: Paul Misraki, Cast: Gérard Blain, Jean-Claude Brialy, Juliette Mayniel, Guy Decomble, Geneviève Cluny, Michèle Méritz, Stéphane Audran.
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