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By October 23, 2020Uncategorized

One floor up, the main bedroom features a custom-made bed, side tables by the French designer François Bauchet, and a dressing room with beechwood doors and custom-carved pulls designed to look like leather. Skolnick and Volpe share an admiration for the way that traditional Japanese architecture skillfully frames views of nature, and in this house, nature is as ever-present as the neighborhood’s architectural context. And on the top floor, a small bedroom opens onto a roof terrace. © 2020 Condé Nast. The kitchen features custom cabinetry finished in hand-rubbed lacquer. The dance craze, which took hold in New York City in the 1970s, has since become a worldwide phenomenon. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. An Instagram Crawl Through New York’s Most Beautiful Hotels . Custom cover of a Scalamandré wool and silk damask; bench by Bruno Romeda; cyanotype by Meghann Riepenhoff. The rear garden features limestone retaining walls and flooring. Choose one of our world-class photographers to capture your memories in Greenwich Village, New York City. The homeowners agree and call attention to such subtle features as the tactile oval shape of the wooden stair railings. The latest iteration of the 900-square-foot apartment retains its classical underpinnings yet serves as an experiment in judicious updating. A table and chairs from Munder Skiles sit on the garden terrace. A flight of stairs leads from the living room to a mezzanine media room with a custom sofa, a Paul Frankl coffee table, and a vintage chair made of Brazilian walnut plywood. But as I’ve gotten older I’ve loosened up about mixing pieces from different time periods and paying more attention to what has a nice line or variation in wood color. 678 ziyaretçi tarafından Instagram NYC'de çekilen bütün 50fotoğrafa bak. (İnsanların check-in yaptığı saatleri göster). That was precisely what the house’s owners sought when they hired New York architect Lee Skolnick and the San Francisco–based AD100 designer Steven Volpe to transform what had been a traditional interior into something much more modern. Having designed houses for both artists and collectors, the architect responded with a design that he calls “a vertical loft” and “a light machine.”. Proposal packages start at $350. “I love layers and things that tell a story. But when you open the front door, you realize that the soaring, light-filled space you’ve entered is very much of the present. “If I were a more rigorous modernist, I would have been even more clean and minimalist,” says Schafer. He also custom designed the ebonized bookcase in the corner. On the wall opposite the screen, a mirror by Line Vautrin hangs above a marble console by Charpin. Bilgilerinin güncel olmasını sağla. Architectural Digest may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. Since the front door opens directly into the space, it is partly obscured by a screen, of Murano glass and metal, which Volpe commissioned from the artist Ritsue Mishima. In the office, a Herman Miller Aeron chair is pulled up to the bespoke desk. BuzzFeed Staff. Nowhere does that sentiment ring more true than in his own pied-à-terre in Manhattan’s West Village, a carefully reconstructed Greek Revival treasure trove with recessed crown moldings, faux-grained mahogany doors, and two stately Ionic columns delineating the living area. First, he removed heavy curtains and wall upholstery in the bedroom to give the space an airier feel, then painted the partitions in soothing shades of blue and beige. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. For the adjacent powder room, Studio Volpe designed a marble vanity and perforated marble wall behind it, on which hangs a mirror by Charpin. The all-glass rear façade also illuminates the lower level, with its open kitchen and formal dining area looking directly into a tree-lined courtyard. Sep 22, 2020 - 32 Likes, 1 Comments - Steven Harris Architects (@stevenharrisarchitects) on Instagram: “Spring is in the air Greenwich Village penthouse • New York City⁠ —⁠ Interior design by…” In a city full of amazing food, here's where to chow down. Breakdancers, or “B-Boys,” perform on a sidewalk in Greenwich Village. “I wanted to see what would happen if I maintained the envelope of the space but made just a few impactful changes,” says Schafer of his understated approach to editing. But aside from paring down the physical objects in the various rooms, the biggest change comes courtesy of the artwork. All rights reserved. C. 1952 floor lamp by Robert Mathieu for ArteLuce. Inside a New York City Apartment’s Subtle Transformation Architect Gil Schafer takes a nuanced approach to recasting his Greenwich Village pied-à-terre By Jennifer Fernande z In the living room, a suzani sourced on a trip to Morocco enlivens the neutral-hued sofa, which is slipcovered in linen from. All rights reserved. The antique mirror was purchased at Nadin & Macintosh, the Swedish case clock is from Evergreen Antiques, and the cast-iron urn was bought on a trip to London and placed atop a Regency mahogany pedestal from Cove Landing. Here the floors are limestone indoors and out, and the minimalism of the glass wall and its sliding doors, all of which were made in Portugal, is particularly pronounced. Our website,, offers constant original coverage of the interior design and architecture worlds, new shops and products, travel destinations, art and cultural events, celebrity style, and high-end real estate as well as access to print features and images from the AD archives. A c. 1937 Brazilian Walnut plywood armchair by Móveis Cimo sits in the main bath. Foursquare © 2020  Lovingly made in NYC, CHI, SEA & LA. Architectural Digest may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. “I wanted it to feel different without completely recasting the space,” says Schafer. “I’m a hopeless traditionalist,” he says. Skolnick, whose team included Paul Alter, a partner in the firm, and Joern Truemper, the project architect, likens the individual floors—two of which end in mezzanines—to “trays” that are surrounded by light, which comes down from the top of the stairway of the five-story house to the first floor. on the parlor level, a sofa by Studio Volpe wearing a Chapas Textiles fabric wraps around a c. 1928 Jean-Michel Frank cocktail table. In the main bedroom, a Holland & Sherry fabric covers the upholstered bed. H. Theophile hardware; custom lacquered metal hood; Wolf range; Dornbracht sink fittings. “The volume of the space is so unique that it forces you to think differently about how you decorate.” He opted for large-scale contemporary works by the likes of Corey Daniels that bring his beloved antiques and early 1900s–era New York engravings into the 21st century. Responding to the owners’ wish for “open spaces, lots of light, and an emphasis on tones of white and sumptuous textures,” Volpe explains, “We tried to create rooms that are modern, but not cold.”. Akıllı telefonuna Foursquare'i İndir ve dünyayı keşfetmeye başla! From the street, this elegant 19th-century brick house looks like many of its neighbors in New York’s historic Greenwich Village. Knowing that he would retain many of the furnishings—which were collected over time both on professional scouting trips and personal vacations with his wife—he slipcovered chairs in neutral linens and enlivened the sofa with vibrant textiles and throw pillows; a graphic black-and-white rug in the living room lends a sense of modernity and movement to the gently rearranged period-era antiques. So when Schafer decided to reimagine the parlor-floor space through a slightly more contemporary lens with help from his firm’s interiors department, it wasn’t without some hesitation. The owners told both Skolnick and Volpe that they wanted “an urban oasis, a place of quiet and repose.” Moreover, they, like Skolnick (whose monograph Skolnick Architecture + Design Partnership: Public/Private will be published by Pointed Leaf Press next month), wanted the house to open to views of neighboring gardens, a particularly pleasant feature of the area. At the far end, an impressively scaled custom version of the Bouroullecs’ Chains light cascades down from the ceiling toward the large bespoke walnut dining table on the level below.

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